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Rupestrian Paintings from the Archaeological Area of Piripiri, Piauí, Brazil: A Current Overview-Juniper Publishers

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  Archaeology & Anthropology-Juniper Publishers Abstract The rural area from the municipality of Piripiri, in the state of Piauí, Northeastern Brazil, is known to contain several archaeological sites, which are essentially sandstone shelters and walls decorated with rupestrian paintings and engravings. Located in the Corrente stream margins, predominantly in the villages known as Buriti dos Cavalos, Cadoz Velho, and Jardim, the rocky monuments present high density of prehistoric inscriptions. The rupestrian paintings mainly represent abstract figures, spear throwers, human handprints, anthropomorphs and zoomorphs, in different hues of red, but also in yellow, black, gray (including greenish-gray), green-olive, white, pink, wine, dark-purple and orangish. Besides the polychromy, the ancient inscriptions exhibit frequent overlaps and recurrences of the motifs represented in the rocky supports. Eight archaeological sites are briefly presented and their main features are described. Key

Book Review ‘Teori Seni Tampak: Asas Seni Reka’

 Abstract Teori Seni Tampak: Asas Seni Reka Written by Chang Hon Woon, this book discusses the basics of art to provide a clear and comprehensive picture of the students taking Art Education subjects. All the important information that students need to know in this book. To the students concerned it is advisable to have this book in order to understand the visual art theory that is the basis of the Art Education subject. Each chapter in this book includes notes, illustrations and example works to help students understand their contents better. This book is composed of three main sections: Part A which covers the Art Elements, Part B which cover the Design Principles and Part C which include the Design Structure. The end of each chapter of this book includes exercises that reinforce understanding and sharpen the art skills among students. Art Education subjects have undergone significant changes since the KBSM approach was introduced. This new approach based on the National Education Ph

Metal Weapons of “Warrior’ Burials” Found in the Middle Bronze Age II Southern Levant – Economical and Social Aspects-Juniper Publishers

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Archaeology & Anthropology- Juniper Publishers Case Report and Results More than 1000 copper-based weapons associated with the Middle Bronze Age II (MB II; ca. 1950–1550 BCE) culture have been recovered, primarily in burials, throughout the Levant (Figure 1); [1-7]. These, funerary contexts have generally been referred to as “warrior burials”, and contained individuals buried with a presumed “kit”, comprising weapons, such as daggers, axes and spearheads found on the deceased’s waist and/or next to their head (Figure 2). The “warrior burials” are dated mainly to the first half of the MBII period (MB IIA; 1950–1750 BCE) and decline in occurrence in the Middle Bronze IIB (MB IIB; 1750–1550 BCE) [6-8]. Recently, it has been shown [6,7] that less than 25% of all the MB IIA burials can be defined as “warrior burials”, and they should rather be considered to reflect high-ranking members of the contemporary society, i.e., an elite social class . The weapons in the MB IIA “warrior’ burials

The Fabric of Canada-Juniper Publishers

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  Archaeology & Anthropology- Juniper Publishers Introduction Of Making Cloth with Sheeps Wool Smallest and smoothest pile grow on the pole. The coarsest about the Tayle. The shortest on ye head and on some parts of ye belly. The longest on ye flanks. Being sorted to wash it in ordinary water, in soape, then its dyed in rase otherwise it is wrought while into cloth and the cloth dyed afterwards [1]. The textile industry changed in the 17th century from one which depended on the domestic “cottage industry” for supplies to one which became reliant on mass-production and a cosmopolitan trade network in which North America became a consumer [2]. The rise of the warehouseman and the factory meant that the small markets and halls used when goods were produced in homes by families were abandoned for inns and warehouses [3]. The introduction of the New Draperies, which were manufactured with different looms, used worsted yarns, which produced finer fabric, with a higher thread count [4]. T